版权所有:内蒙古大学图书馆 技术提供:维普资讯• 智图
内蒙古自治区呼和浩特市赛罕区大学西街235号 邮编: 010021
作者机构:Fashion Education Study Program Engineering Faculty Universitas Negeri Semarang Semarang Indonesia
出 版 物:《AIP Conference Proceedings》
年 卷 期:2018年第1941卷第1期
摘 要:Development of Conservation Batik concept becomes critical due to the recessive of traditional batik as the intangible cultural heritage of humanity. The existence of printed batik, polluting process, and new stream design becomes the consequences of batik industry transformation to creative industry. Conservation Batik was proposed to answer all the threats to traditional batik, in the aspect of technique, process, and motif. However, creativities are also critical to meet consumer satisfaction. Research and development was conducted, start with the initial research in formulating the concept, and exploration of ideas to develop the designs of conservation motifs. In development steps, cyclical process to complete motif with high preferences, in the aspect of aesthetics, productivity, and efficiency. Data were collected through bibliography, documentation, observation, and interview, and analyzed in qualitative methods. The concept of Conservation Batik adopted from the principles of Universitas Negeri Semarang (UNNES) vision, as well as theoretical analyses, and expert judgment. Conservation Batik are assessed from three aspect, design, process, and consumer preferences. Conservation means the effort of safeguarding, promoting, maintaining, and preserving. Concervation Batik concept could be interpreted as batik with: (1) traditional values and authenticity; (2) the values of philosophycal meanings; (3) eco-friendly process with minimum waste; (4) conservation as idea resources of design; and (5) raising up of classic motifs.