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'Virtual museums' as digital collection complexes. A museological perspective using the example of Hans-Gross-Kriminalmuseum

是的虚拟博物馆用 Hans-Gross-Kriminalmuseum 的例子的数字收集建筑群 A museological 观点

作     者:Biedermann, Bernadette 

作者机构:Karl Franzens Univ Graz Univ Graz Univ Museums Inst Hist Graz Austria 

出 版 物:《MUSEUM MANAGEMENT AND CURATORSHIP》 (博物馆管理与馆长职能)

年 卷 期:2017年第32卷第3期

页      面:281-297页

学科分类:0303[法学-社会学] 0601[历史学-考古学] 06[历史学] 060107[历史学-文化遗产与博物馆] 

主  题:Museum documentation museology virtual museum museum computing object database museum and digital age 

摘      要:The term virtual museum used in German-speaking areas is defined differently in various disciplines such as museology and digital humanities. In the museum context, it usually refers to all digital provisions of museum object data in the web. Digital sceptics worry about the aura and the loss of authenticity of the original object. This paper examines the significance of digital technologies for core museum tasks of collecting, investigating and mediating museum object data from the perspective of museology. It is based on the assumption that presentations of museum objects in a virtual space cannot compete with real museum exhibitions, as they cannot replace an encounter with the original object. Additionally, they serve as a medium in their own right. Virtually represented collection complexes can be used as an independent educational tool by linking multi-layered meanings of museum objects. These presuppositions are demonstrated using the example of a physical museum collection.

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