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arXiv 2025年

作者： Deruty, Emmanuel Leroy, Luc Macé, Yann Meredith, David Sony Computer Science Laboratories 6 rue Amyot Paris75005 France Neodrome Entertainment 5 rue Vernet Paris75008 France Department of Architecture Design and Media Technology Aalborg University Rendsburggade 14 Aalborg9000 Denmark

We identify characteristic features of how pitch is manipulated for expressive purposes by Hyper Music, a mainstream commercial music company specialising in advertisement music for global corporations. The study shows that the use and organisation of pitch in the company’s ‘Primaal’ brand differs from Western classical music. Through interviews with producers and in-depth analysis of their work, we reveal that their methods centre on a conscious aim to construct a musical discourse based on pitch uncertainty, contrasting with the clear transmission of well-defined pitches in Western classical traditions. According to the Primaal producers, who acknowledge the influence of artists such as Kanye West and Daft Punk and use widely available technology, pitch uncertainty captures the listener’s attention. We provide analyses of musical excerpts demonstrating their approach, alongside descriptions of the tools and methods employed to achieve their expressive goals. These goals and methods are placed in a broader historical context, contrasting with fundamental principles of pitch organisation in Western music. Techniques used by Hyper Music to introduce and control pitch uncertainty include boosting upper partials, expressive use of inharmonicity, continuous pitch distributions around ‘poles’ tied to specific ‘modes’, and continuously evolving pitch. We examine these techniques from a psychoacoustic perspective, and conduct listening tests corroborating some of the observations. The ultimate goal of the study is to introduce a set of methods suited to the analysis of pitch in contemporary popular *** Codes 00A65 © 2025, CC BY.

关键词： Music

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Problem framing in university-industry collaborations: The case of Knorr 21

Problem framing in university-industry collaborations: The c...

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21st International Conference on Engineering and Product design Education, E and PDE 2019

作者： Laursen, Linda Nhu Haase, Louise Møller Department of Architecture Design and Media Technology Denmark Department of Architecture Design and Media Technology Denmark

ISBN: (纸本)9781912254057

Universities increasingly welcome student-industry collaborations. The rationale is, while the collaborating company are introduced to new valuable knowledge, students gain experience with real life challenges. However, experience shows it may be challenging for a company to get the desired outcome from university collaborations. Company’s report that the students’ work outcome is disappointing;it does not add any new knowledge. Oppositely many university teachers reject industry projects as they find that the learning may be compromised, in favour for industry demands. In this study we examine how to frame problems for successful industry-university collaborations. We explore two key dimensions in respect to the problem framing. First of all, we explore the value of students tapping into knowledge and experience domains, where their expertise is higher than the industry partners. And we explore the influence problem framing openness has on the outcome of student work, as well as the satisfaction on both sides. In this study we have set up a university-industry collaboration, where we connect the problem framing directly with one of the students’ experience domains, to explore whether, and if, this may produce more valuable output. Secondly, we have set up two quasi-experiments, where we vary the openness of the problem frame. The study indicates that connecting the problem framing to an experience domain, where the students have more expertise than the industry partner, can be highly valuable for the result. Moreover, the study highlights the importance identifying the company’s implicit assumptions and challenges with respect to the problem frame. © 2019 Institution of Engineering designers, The design Society. All rights reserved.

关键词： Students

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Generating New Musical Works in the Style of Milton Babbitt (vol 42, pg 60, 2018)

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COMPUTER MUSIC JOURNAL 2018年第2期42卷 4-4页

作者： Bemman, Brian Meredith, David Department of Architecture Design and Media Technology Aalborg University Rendsbruggade 14 9000 Aalborg Denmark

Milton Babbitt is noted for composing twelve-tone and serial music that is both complex and highly constrained. He has written extensively on a variety of topics in music and his writings have had a profound and lasting impact on musical composition. In this article, we first review in detail his compositional process and the techniques he developed, focusing in particular on the all-partition array, time-point system, and equal-note-value strings used in his later works. Next, we describe our proposed procedure for automating his compositional process using these techniques. We conclude by using our procedure to automatically generate an entirely new musical work that we argue is in the style of Babbitt.

关键词： Music

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IEEE 8th VR Workshop on Sonic Interactions for Virtual Environments

IEEE 8th VR Workshop on Sonic Interactions for Virtual Envir...

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Virtual Reality and 3D User Interfaces Abstracts and Workshops (VRW), IEEE Conference on

作者： Stefania Serafin Ali Adjorlu Rolf Nordahl Federico Fontana Michele Geronazzo Tifanie Bouchara Florent Berthaut Romain Michon Dorte Hammershøj Lorenzo Picinali Department of Architecture Design and Media Technology Aalborg University Copenhagen Denmark Department of Mathematics Computer Science and Physics University of Udine Udine Italy Department of Engineering and Management University of Padova Vicenza Italy LISN CNRS Université Paris-Saclay France CRIStAL CNRS Univ. Lille Lille France INRIA Lyon France Department of Electronic Systems Aalborg University Denmark Dyson School of Design Engineering Imperial College London London UK

ISBN: (数字)9798331514846

ISBN: (纸本)9798331525637

Sonic interaction design is defined as the study and exploitation of sound as one of the principal channels conveying information, meaning, and aesthetic/emotional qualities in interactive contexts. This field lies at the intersection of interaction design, and sound and music *** the virtual reality community, the focus of research on topics related to auditory feedback has been rather limited when compared, for example, to the focus placed on visual feedback or even on haptic feedback. However, in such communities as film production or product sound design it is well known that sound is a powerful way to communicate meaning and emotion to a scene or a *** 2025 is the 8th of a series of workshops, whose main goal is to increase awareness among the virtual reality community of the importance of sonic elements when designing virtual/augmented/mixed reality (XR hereafter) environments. Participants to the workshop will also discuss how research in other related fields such as film sound theory, product sound design, sound and music computing, game sound design, and accessibility can inform designers of XR environments. Moreover, the workshop will feature state-of-the-art research in the field of sound for XR environments.

关键词： Visualization Three-dimensional displays Conferences Spatial audio Music Virtual environments Production Games User interfaces Haptic interfaces

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Technologies and Techniques for Collaborative Robotics in architecture 25

Technologies and Techniques for Collaborative Robotics in Ar...

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25th International Conference on Computer-Aided Architectural design Research in Asia, CAADRIA 2020

作者： Jensen, Mads Brath Das, Avishek Department of Architecture Design and Media Technology

ISBN: (纸本)9789887891741

This study investigates the technological and methodological challenges in establishing an indeterministic approach to robotic fabrication that allows for a collaborative and creative design/fabrication process. The research objective enquires into how robotic processes in architecture can move from deterministic fabrication processes towards explorative and indeterministic design processes. To address this research objective, the study specifically explores how an architect and a robot can engage in a process of co-creation and co-evolution, that is enabled by a collaborative robotic arm equipped with an electric gripper and a web camera. Through a case-based experiment, of designing and constructing an adjustable facąde system consisting of parallel wood lamellas, designer and robotic system co-create by means of interactive processes. The study will present and discuss the technological implementations used to construct the interactive robotic-based design process, with emphasis on the integration of visual analysis features in Grasshopper and on the benefits of establishing a state machine for interactive and creative robotic control in architecture. © 2020 and published by the Association for Computer-Aided Architectural design Research in Asia (CAADRIA), Hong Kong.

关键词： Human computer interaction

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IEEE 8th VR Workshop on Sonic Interactions for Virtual Environments

IEEE 8th VR Workshop on Sonic Interactions for Virtual Envir...

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2025 IEEE Conference on Virtual Reality and 3D User Interfaces Abstracts and Workshops, VRW 2025

作者： Serafin, Stefania Adjorlu, Ali Nordahl, Rolf Fontana, Federico Geronazzo, Michele Bouchara, Tifanie Berthaut, Florent Michon, Romain Hammershøj, Dorte Picinali, Lorenzo Aalborg University Department of Architecture Design and Media Technology Copenhagen Denmark University of Udine Department of Mathematics Computer Science and Physics Udine Italy University of Padova Department of Engineering and Management Vicenza Italy Cnrs Université Paris-Saclay Lisn Orsay France Univ. Lille CRIStAL Cnrs Lille France Inria Lyon France Aalborg University Department of Electronic Systems Denmark Imperial College London Dyson School of Design Engineering London United Kingdom

ISBN: (纸本)9798331514846

关键词： Augmented reality

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Digital media’s design reflects gender equality based on Androgynous Fashion principles

Digital Media’s design reflects gender equality based on An...

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Cybernetics and Innovations (ICCI), International Conference on

作者： Chakrapipat Assawaboonyalert Sirimonpak Suwannakhun Kantapat Kwansomkid Chontaya Sitthirad School of Architecture and Design (Media Arts) King Mongkut’s University of Technology Thonburi (KMUTT) Bangkok Thailand Faculty of Industrial Education and Technology King Mongkut’s University of Technology Thonburi (KMUTT) Bangkok Thailand School of Architecture and Design (Media Technology) King Mongkut’s University of Technology Thonburi (KMUTT) Bangkok Thailand

Sexual and gender diversity refers to a variety of sexual characteristics that encompass more than "male" or "female" representation as the sex assigned at birth and social expectations. One may present a wide range of sexual characteristics based on perceptions and experiences, not genital organs. Presently, the expression of diversity is gradually increasing due to human rights and freedoms. However, definitions remain an unclear issue in Thai society. The lack of in-depth understanding causes concept misinterpretation, resulting in research limitations. The comprehension of terms as well as basic knowledge are necessary to explore. This article’s aim focuses on describing the definitions of sexual and gender diversity and making recommendations for application among sexual and gender minority populations in future research. turned out into a piece of toy artwork that satirizes the gender and opportunity issues at work.

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Driving pleasure and perceptions of the transition from no automation to full self-driving automation

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Applied Mobilities 2019年第3期4卷 257-272页

作者： Bjørner, Thomas Department of Architecture Design and Media Technology Aalborg University Copenhagen Denmark

In this article, I offer a sociological user perspective on increased self-driving automation, which has evolved from a long history associated with automobility. This study explores complex, perceived a priori driving pleasures in different scenarios involving self-driving cars. The methods used consisted of 32 in-depth interviews with participants who were given eight video examples (two video examples within four different scenarios) to watch. A numerical rating scales formed parts of the interviews. The findings revealed that driving pleasure when using increasingly automated driving technologies is very complex and must be seen within various contexts, including, for example, different speeds, road conditions, purposes, driving distances, and numbers of people in the car. Self-driving cars are not just about technology, increased safety, and better traffic flow, but are also dependent on automotive emotions and complex perceived issues, which are full of meaning that go beyond the car itself. The highest driving pleasure in self-driving technologies was found for parking and traffic jam situations in the city. However, trust and the sense of freedom and control were major concerns in all aspects of emerging self-driving mobilities. © 2017 Informa UK Limited, trading as Taylor & Francis Group.

关键词： automobilities automotive emotions driving pleasure Self-driving cars trust

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The construction of meaning in design-driven projects 5

The construction of meaning in design-driven projects

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5th International Conference on design Creativity, ICDC 2018

作者： Knudsen, Line Sand Haase, Louise Møller Department of Architecture Design and Media Technology Aalborg University Aalborg Denmark Department of Architecture Design and Media Technology Aalborg University Aalborg Denmark

ISBN: (纸本)9781904670834

The cornerstone in design-driven innovation is the creation of new meanings – the creation of a holistic, creative result meaningful to its users. However, despite an increasing interest in this field, the process of how meaning is constructed is still a neglected area in design and innovation management research. This paper explores how five Danish companies in diverse industries constructed new product meanings. The study indicates: that innovation of meaning starts from the designer’s personal experience with a paradox in an existing product-user relationship, that a vital part of meaning construction is the user’s experience of the product, and that meaning is constructed from a number of different frames. © 2018 design Society. All rights reserved.

关键词： design-driven innovation Framing Meaning-making

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Research oriented projects on design themes - A master semester at AAU

Research oriented projects on design themes - A master semes...

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13th International Conference on Engineering and Product design Education, E and PDE 2011

作者： Tollestrup, Christian Eriksen, Kaare Ovesen, Nis Architecture Design and Media Technology Aalborg University Denmark

How can design students do research-oriented projects about design themes? At the 3rd semester at the Industrial design Master Program at Aalborg University this is done by taking research oriented learning objectives on design theories and methods and combining them with experimental case studies with or without external parties like companies and consultancies. Programming the project is a large part of the 2 1/2 month long project work and a "program" is handed in and evaluated after 3 weeks. During this programming the design students are going through a pre-reflection process, where they are designing the setup including the experiment or case that they will be carrying out. This approach shares characteristics of a regular research project, but the extent and level of complexity is much lower and the experiment and case is larger part of the project. At the other end of the project the analysis and discussion of the project is also significantly less in extent and complexity. This paper will use four case projects to demonstrate the variety and range of projects carried out under this research-oriented semester called "Research & Strategy". Even with a variety in extent, context and structure they all meet the learning objectives and the output of the projects are beyond ordinary design proposals, instead they are centred on methodological issues and suggestion for improvements providing collaborating partners with valuable insight and feedback. At the same time the scientific attitude and professional self-reflection amongst students are improved.

关键词： Students

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