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Exploring everyday creative responses to social discrimination with the mimesis system 3

Exploring everyday creative responses to social discriminati...

引用

3rd International Conference on Computational Creativity, ICCC 2012

作者： Harrell, D. Fox Lim, Chong-U Sidhu, Sonny Zhang, Jia Gursoy, Ayse Yu, Christine Comparative Media Studies Program United States Program in Writing and Humanistic Studies United States Computer Science and Artificial Intelligence Laboratory Massachusetts Institute of Technology United States

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Small-scale systems and computational creativity 3

Small-scale systems and computational creativity

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3rd International Conference on Computational Creativity, ICCC 2012

作者： Montfort, Nick Fedorova, Natalia Program in Writing and Humanistic Studies Massachusetts Institute of Technology 77 Massachusetts Ave 14N-233 CambridgeMA02139 United States

ISBN: (纸本)9781905254668

Creative computational systems have often been largescale endeavors, based on elaborate models of creativity and sometimes featuring an accumulation of heuristics and numerous subsystems. An argument is presented for facilitating the exploration of creativity through small-scale systems, which can be more transparent, reusable, focused, and easily generalized across domains and languages. These systems retain the ability, however, to model important aspects of aesthetic and creative processes. Examples of extremely simple story generators are presented along with their implications for larger-scale systems. A case study focuses on a system that implements the simplest possible model of ellipsis.

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Textual tinkerability: Encouraging storytelling behaviors to foster emergent literacy

Textual tinkerability: Encouraging storytelling behaviors to...

引用

30th ACM Conference on Human Factors in Computing Systems, CHI 2012

作者： Chang, Angela Breazeal, Cynthia Faridi, Fardad Roberts, Tom Davenport, Glorianna Lieberman, Henry Montfort, Nick MIT Media Lab. 20 Ames St. E15-468 Cambridge MA 02139 United States MIT Program in Writing and Humanistic Studies 77 Massachusetts Ave 14N-233 Cambridge MA United States

ISBN: (纸本)9781450310161

This paper presents textual tinkerability, a new concept for fostering early literacy skills during parent-child reading. Textual tinkerability maps storytelling gestures to changes in animation and text to assist reading exploration and demonstration of the link between text, spoken word, and concept. TinkRBooks are flexible tablet-based storybooks that allow readers to actively explore concepts in text using textual tinkerability. When reading TinkRBooks, both parents and children can alter text (character attributes and parts of speech) by manipulating story elements (props and characters) as they read. We demonstrate how textual tinkerability encourages more dialog, print referencing and dialogic questioning between parent-child dyads in shared reading as compared to paper books. In addition, our study reports observations of storytelling performance behaviors that foster playful and socially intimate shared reading behaviors that are closely mapped to the teaching and learning of emergent literacy skills. © 2012 ACM.

关键词： emergent literacy parent-child shared reading performative reading textual tinkerability

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A reading of skeleton seas of mare incognitum: An interactive fiction expedition in curveship 11

A reading of skeleton seas of mare incognitum: An interactiv...

引用

8th ACM Conference on Creativity and Cognition, C and C 2011

作者： Fox Harrell, D. Montfort, Nick Comparative Media Studies Program Program in Writing and Humanistic Studies Computer Science and AI Laboratory 77 Massachusetts Ave 02139 United States

ISBN: (纸本)9781450308205

Skeletons of Mare Incognitum (The Unkown Sea) is an interactive fiction (IF) work developed by Fox Harrell. This work was written using Curveship [1, 2], a platform for implementing works of IF that offers a range of affordances for narrative variation such as flashbacks, temporal movement of the narrator, and changes in voice. Copyright 2011 ACM.

关键词： Musculoskeletal system

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Curveship: An Interactive Fiction System for Interactive Narrating

Curveship: An Interactive Fiction System for Interactive Nar...

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2009 Workshop on Computational Approaches to Linguistic Creativity, CALC 2009

作者： Montfort, Nick Program in Writing and Humanistic Studies Massachusetts Institute of Technology CambridgeMA02139 United States

ISBN: (纸本)9781932432367

Interactive fiction (often called "IF") is a venerable thread of creative computing that includes Adventure, Zork, and the computer game The Hitchhiker’s Guide to the Galaxy as well as innovative recent work. These programs are usually known as "games," appropriately, but they can also be rich forms of text-based computer simulation, dialog systems, and examples of computational literary art. Theorists of narrative have long distinguished between the level of underlying content or story (which can usefully be seen as corresponding to the simulated world in interactive fiction) and that of expression or discourse (corresponding to the textual exchange between computer and user). While IF development systems have offered a great deal of power and flexibility to author/programmers by providing a computational model of the fictional world, previous systems have not systematically distinguished between the telling and what is told. Developers were not able to control the content and expression levels independently so that they could, for instance, have a program relate events out of chronological order or have it relate events from the perspective of different characters. Curveship is an interactive fiction system which draws on narrative theory and computational linguistics to allow the transformation of the narrating in these ways. This talk will briefly describe interactive fiction, narrative variation, and how Curveship provides new capabilities for interactive fiction authors. ©2009 Association for Computational Linguistics.

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Integrating a plot generator and an automatic narrator to create and tell stories

Integrating a plot generator and an automatic narrator to cr...

引用

5th International Joint Workshop on Computational Creativity, IJWCC 2008

作者： Montfort, Nick Pérez Y Pérez, Rafael Program in Writing and Humanistic Studies Massachusetts Institute of Technology 77 Massachusetts Avenue Cambridge MA 02139 United States Av. Constituyentes 1054 México D.F. 11950 Mexico

ISBN: (纸本)9788492539000

We describe the integration of MEXICA, a well-developed story generation system which produces high-level plots, with the nn Narrator, an existing system for automatically narrating based on a simulated world and a plan with narrative specifications. In our initial integration of these systems in a pipeline, we did not seek to model the creative process explicitly. The initial integration nevertheless exposed issues of story representation and of the distinction between content and expression that are relevant to creativity. We describe these and discuss plans for a blackboard system that connects plot generation and narration more deeply.

关键词： Action Event representation Narrating Narrative variation Plot generation Story generation Story representation System integration

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Computing makes the "Man": programmer creativity and the platform technology of the atari video computer system

Computing makes the "Man": Programmer creativity and the pla...

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5th International Joint Workshop on Computational Creativity, IJWCC 2008

作者： Bogost, Ian Montfort, Nick School of Literature Communication and Culture Georgia Institute of Technology 686 Cherry Street Atlanta GA 30332 United States Program in Writing and Humanistic Studies Massachusetts Institute of Technology 77 Massachusetts Avenue Cambridge MA 02139 United States

ISBN: (纸本)9788492539000

Some of the cultural and technical forces that influenced the creation of the "man" (the player-controlled element) in two early home video games, Pitfall! and Yars' Revenge, are discussed. We find that the specific nature of the Atari Video Computer System (also known as the Atari VCS and Atari 2600) as a computing platform enables and constrains what can be done on the system, and that it also encourages and discourages certain types of creative work. For these reasons, understanding the platform is essential to understanding the development of games on this influential system and, by extension, the early history of video games.

关键词： Human computer interaction

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Ordering events in interactive fiction narratives

Ordering events in interactive fiction narratives

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2007 AAAI Fall Symposium

作者： Montfort, Nick Program in Writing and Humanistic Studies Massachusetts Institute of Technology 77 Massachusetts Avenue 14N-233 Cambridge MA 02139 United States

ISBN: (纸本)9781577353508

An interactive fiction system has been developed with a rich representation of simulated locations, actors, and things as well as events. This paper discusses one particular type of narrative variation that the system can generate: variation in order. To determine how to concisely specify a possibly non-chronological order for narrating events, a formalization of Genette's categories of order and his concept of the time of narrating is developed. An ordered tree representation for reply structures is introduced that uses Richenbach's concepts of speech time, reference time, and event time to determine grammatical tense.

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Book Review: Education in China since 1976

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China Information 2004年第3期18卷 525 - 527页

作者： Kimberly De Vries Program in Writing and Humanistic Studies Massachusetts Institute of Technology Cambridge USA

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