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Ming Dynasty Blue And White Motifs And Their Influence On Contemporary Painting And visual arts

MEDITERRANEAN ARCHAEOLOGY & ARCHAEOMETRY 2024年第2期24卷 86-100页

作者： Xu, Ying Puntien, Pisit Suan Sunandha Rajabhat Univ Fac Fine & Appl Arts Philosophy Program Visual Arts & Design Bangkok Thailand Suan Sunandha Rajabhat Univ Fac Fine & Appl Arts Visual Arts & Design Bangkok Thailand

In order to further understand the artistic characteristics of green-glazed pottery in the Ming Dynasty and the value of modern painting, this study takes the green-glazed pottery of the Ming Dynasty as the research object, such as the blue and white twined lotus flat bottle and the blue and white twig lid jar, etc., and uses the test 4K microscope to observe the tire glaze and blue and white pigments, and the Microsoft viso software compares the production style, decoration and style of the green-glazed pottery patterns to analyze, and classifies the artistic characteristics of the green-glazed pottery with reference to relevant literature. The results showed that the dyes of green-glazed pottery were mainly iron, manganese, cobalt and other elements, and the patterns were mainly arc-shaped lines, and there were halos and crystalline spots in the dyeing, and the color was gray-blue. At the same time, the green-glazed pottery of the Ming Dynasty are more artistic, and the bottle mouth and shape are mainly streamlined, and the proportion is close to the golden ratio. Therefore, the artistic characteristics of green-glazed pottery in the Ming Dynasty and the value of modern painting have the characteristics of the Ming Dynasty, which have a certain influence on modern painting and visual art, and promote the promotion of the value of modern painting and visual art.

关键词： Ming Dynasty (1368-1677 AC) Green-Glazed Pottery Artistic Characteristics Modern Painting Cultural Values

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Criteria for User Interface Design in Performance Evaluation and Guidelines of Medical Mobile Apps for Beginner Developers

International Journal of Interactive Mobile Technologies

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International Journal of Interactive Mobile Technologies 2024年第15期18卷 19-47页

作者： Yordkaew, Sumet Klaynak, Konlawat Siangpipop, Sorawit Program of Animation and Visual Effects College of Arts Media and Technology Chiang Mai University Chiang Mai Thailand Program of Knowledge management and innovation College of Arts Media and Technology Chiang Mai University Chiang Mai Thailand

This study created a performance evaluation form specifically designed to assess user interfaces in medical apps, with a focus on educational and preventive aspects. Developed in collaboration with a diverse group of usability and design experts, the form was structured around heuristic principles and rigorously refined using content accuracy evaluations and consistency index analyses. This meticulous process resulted in a comprehensive 145-question tool that successfully met rigorous evaluation standards. Emphasizing the necessity of early integration of user interface considerations in the development process, this tool is crucial for enhancing app usability and quality. It provides immense value to novice developers by addressing common design challenges such as disorganized layouts and privacy concerns, ensuring that mobile applications are not only user-friendly but also highly effective in interactive design scenarios. This approach facilitates the development of apps that are optimally designed for user engagement and functional precision in medical contexts. © 2024 by the authors of this article.

关键词： evaluation criteria medical app mobile applications

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Object-Oriented Ontology in Shaping Perspective on Bacterial Art and Nonhuman Agency

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LEONARDO 2024年第3期57卷 286-292页

作者： Ismail, Roslina Hanafi, Amira Jusoff, Kamaruzaman Univ Malaya Fac Creat Arts Visual Art Program Kuala Lumpur 50603 Malaysia Univ Malaya Kuala Lumpur 50603 Malaysia

The study of bacterial art provides an opportunity to investigate the philosophical framework of object-oriented ontology (OOO). This viewpoint challenges traditional human-centered perspectives by highlighting the autonomy and agency of all objects, including microorganisms. Objects have their own inherent properties and are regarded as equal actors in the world. The authors highlight the dynamic relationship between humans and microorganisms and the agency of bacteria in bioart. Bacterial art raises concerns regarding control, authorship, aesthetics, and ethics, necessitating interdisciplinary discussions and critical evaluations. This study provides an intriguing case examining the implications of OOO at the intersection of science and art.

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Transitioning from Classroom to Clinic: visual arts and Museums as the Bridge

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JOURNAL OF MUSEUM EDUCATION 2025年第1期50卷 54-62页

作者： Evans, Brooke DiGiovanni Harz, Dominque Schwartz, Emily R. Brigham & Womens Hosp Visual Arts Healthcare Program Boston MA 02115 USA Harvard Med Sch Boston MA 02115 USA Hlth Profess Educ Boston MA USA

This case study examines a workshop utilizing visual art-based methodologies to support second-year medical students in their transition into clerkship. Through a series of three activities, art educators and medical faculty collaborated to facilitate student reflection on this pivotal academic transition. The workshop created a reflective space that enabled students to articulate their emotions, recognize shared challenges, and develop a sense of community and belonging. Additionally, the workshop provided insights into the importance of teamwork, the value of diverse perspectives, and the value of the visual arts. This interdisciplinary approach highlights the potential of integrating art-based education within medical training to address transitional challenges and enhance student experiences. The impact on students and the lessons learned through this implementation are discussed in detail.

关键词： Art museum medical education academic transitions self-exploration community building

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A case study of Tian Yali and the contemporary revival of Chinese folk art

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COGENT arts & HUMANITIES 2025年第1期12卷

作者： Wang, Yunwei Ismail, Roslina Univ Malaya Fac Creat Arts Visual Art Program Kuala Lumpur 50603 Malaysia

This article examines the evolution of Chinese folk artist Tian Yali, whose paper-cutting artworks reflect broader cultural and artistic transformations in contemporary China. Since the 1980s, stimulated by the attention paid to folk art by art intellectuals, the legitimacy of paper-cutting, once associated with rural superstitions and feudal norms, has steadily increased and it is now recognised as a legitimated art form. Through a detailed case study of Tian Yali's artistic journey, from a rural practitioner to a celebrated contemporary folk artist, it examines how the visual narration within her artworks serve as a medium for identity construction. We analysed her visual narration and integrating insights from in-depth interviews, this article addresses the research question: how do Tian Yali integrate local folk stories into her artworks to construct the identity as folk artist and contribute to the evolution of folk art in contemporary China? We argue that the visual narration within paper-cutting artworks function as a mechanism for constructing the identity of folk artists, where creativity serving as a significant means of reorienting this identity.

关键词： Tian Yali paper-cutting folk artist visual narratives creativity contemporary folk art Contemporary Art visual arts Cultural Studies

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I can hide if I want to: the function of the screen in zoom psychotherapy

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PSYCHOANALYSIS CULTURE & SOCIETY 2024年 1-15页

作者： Dudai, Orit Metzl, Einat Bar Ilan Univ Fac Jewish Studies MA Program Art Therapy Visual Art Ramat Gan Israel Kibbutzim Coll Educ Technol & Arts Fac Humanities & Social Sci MA Program Art Therapy Tel Aviv Israel

This interdisciplinary paper explores seeing and being seen as mediated by screen psychotherapy. Although the connection between psyche and technology in psychoanalytic psychotherapy is not new, it was further brought to light during the Covid-19 pandemic and the transition from physical encounters to Zoom and other online platforms. The paper focuses on how the mirror function is embedded in the actual communicative medium of Zoom virtual psychotherapy. It ventures into media and cinema studies to examine how the screen embodies a sense of being in the world. This technological tool, initially seeming so foreign to psychoanalytic thought, can offer a projective and transferential space, crucial to the interpersonal relational dialogue in which we see one another as subjects. Finally, we present a short clinical illustration to integrate the interdisciplinary dialogue. In this illustration we focus on the unique quality of Zoom psychotherapy, by which the ability to dismantle the components of the image (using only sound without video), represents the transference, a psychic retreat into darkness. This calls for a digital tele-reverie to reclaim the patient into an image dialectic relationship. This dyadic interaction via screen virtuality creates a space to explore "who is seeing" as well as experiences of "seeing and being seen."

关键词： screen transference seeing and being seen mirror function Zoom embodiment

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An Anti-Ableist Framework in Art Education

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Art Education 2022年第1期75卷 30-35页

作者： Wexler, Alice Department of Art Visual Arts Education Program SUNY New Paltz New Paltz NY United States

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Netflix in Turkey: Localization and audience expectations from video on demand

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CONVERGENCE-THE INTERNATIONAL JOURNAL OF RESEARCH INTO NEW MEDIA TECHNOLOGIES 2022年第1期28卷 255-271页

作者： Ildir, Asli Rappas, Ipek A. Celik Univ Antwerp Program Film Studies & Visual Culture Antwerp Belgium Koc Univ Grad Program Design Technol & Soc Istanbul Turkey Koc Univ Dept Media & Visual Arts Istanbul Turkey

Drawing on in-depth interviews with users of Netflix and the local streaming service BluTV as well as analysis of press releases, and original TV series produced by these platforms, this study explores the emergence and impact of Video on Demand (VOD) in Turkey. It examines how VOD is adopted, negotiated, reformulated, and received in a non-Western context where global and local VOD platforms compete, substitute and emulate each other. We ask the following research question: What are Turkish audiences' social, psychological and technological needs and expectations from global and local VOD platforms? In order to respond to this question, we explore Turkish audiences' insight into what VOD means to them and offers them as content, in comparison with platforms' marketing discourse. The article argues that a) the local content that platforms offer is a central juncture through which audiences articulate their larger expectations from VODs, and b) Netflix's localization attempts do not always correspond with the audience demand, it is heavily critiqued and at times rejected by the local audience. The findings of this research indicate that the expectations, needs, and gratifications of Netflix and VOD audiences depend on three factors: Their interpretation of VODs' local content in relation to their cultural experience with broadcast TV, their technological needs such as instant access to global content and time/space shifting opportunities, and lastly the political context and policies such as the internet regulation and censorship. The significance of this is study is in showing, as distinct from the abundant literature on localization of Netflix, the complexity of local taste. Audiences' evaluation of a VOD is shaped simultaneously by multiple factors including their experiences with network TV, other VODs, media regulations as well as informal networks/piracy.

关键词： Audience engagement in Turkey localization Netflix in Turkey Netflix Netflix localization quality TV TV in Turkey video on demand in Turkey

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Preliminary Study of the Artistic Potential of Video Games 12th

Preliminary Study of the Artistic Potential of Video Games

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12th European-Alliance-for-Innovation (EAI) International Conference on arts and Technologies, Interactivity, and Game Creation (artsIT)

作者： Passos, Leonardo Porto Peron, Debora Mattos Falleiros, Manuel State Univ Campinas Unicamp Arts Inst IA Interdisciplinary Nucleus Sound Commun NICS Postg BR-13083872 Campinas SP Brazil State Univ Campinas Unicamp Arts Inst IA Postgrad Program Visual Arts PPGAV BR-13083854 Campinas SP Brazil State Univ Campinas Unicamp Interdisciplinary Nucleus Sound Commun NICS BR-13083872 Campinas SP Brazil

ISBN: (纸本)9783031553110;9783031553127

Starting from consensual definitions about video games and arts, this article discusses the artistic potentialities of video games and their relationship with the gaming industry. Highlighting the importance of games for humanity in its cognitive aspect, power of socialization and the representation of society itself, this article discusses the possible artistic potential of video games, as well as the hypothesis that these potentialities may be totally or partially overshadowed by the emphasis on economic success that is given by the video game industry, mainly because it is a less established form of expression compared to cinema, music, literature and the visual arts, which do not need to prove anything as an artistic language, but which also experience dilemmas and counterpoints with their manifestations more focused on pop and media consumption, having as their first instance massive popularity and economic success, and not creativity and the full expression of human experience, subjectivity and sensibility.

关键词： Video Games Art Games Gameart

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From the Artist's Contract to the blockchain ledger: new forms of artists' funding using equity and resale royalties

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JOURNAL OF CULTURAL ECONOMICS 2022年第2期46卷 287-315页

作者： van Haaften-Schick, Lauren Whitaker, Amy Cornell Univ Hist Art & Visual Studies Ithaca NY USA NYU Dept Art & Art Profess Visual Arts Adm Program New York NY 10012 USA

Although the Artist's Contract, first developed in 1971, was not broadly adopted in its early decades, renewed interest in it fifty years later has led to inventive related structures that are enabled by blockchain technology, in particular the phenomenon of NFT (non-fungible token) sales in art. We argue that the Contract's conceptual roots have laid groundwork for a potentially powerful funding mechanism via the Contract's resale royalties terms. Blockchain technology radically alters risks of incomplete contracting and lowers transaction costs, making the Quixotic terms of the Artist's Contract newly actionable. We study the artist Hans Haacke's longtime experimentation with the Artist's Contract, along with contemporary data from the blockchain registry SuperRare, which pays royalties to artists. Blockchain companies such as SuperRare generally sell digital works outside the taste-making and gatekeeping systems of the upper echelons of the traditional art market. This arc from conceptual practice within the arts to commercial practice at the edge of the traditional art market points to the Contract's legacy as a model for potentially disruptive technology and a new fundraising model for artists.

关键词： Artist's Contract Blockchain Hans Haacke SuperRare Art markets Economics of art and literature (Z11) Economic sociology (Z13) Contract law (K12) Intellectual property and intellectual capital (O34) Property rights (P14)

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