In order to further understand the artistic characteristics of green-glazed pottery in the Ming Dynasty and the value of modern painting, this study takes the green-glazed pottery of the Ming Dynasty as the research o...
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In order to further understand the artistic characteristics of green-glazed pottery in the Ming Dynasty and the value of modern painting, this study takes the green-glazed pottery of the Ming Dynasty as the research object, such as the blue and white twined lotus flat bottle and the blue and white twig lid jar, etc., and uses the test 4K microscope to observe the tire glaze and blue and white pigments, and the Microsoft viso software compares the production style, decoration and style of the green-glazed pottery patterns to analyze, and classifies the artistic characteristics of the green-glazed pottery with reference to relevant literature. The results showed that the dyes of green-glazed pottery were mainly iron, manganese, cobalt and other elements, and the patterns were mainly arc-shaped lines, and there were halos and crystalline spots in the dyeing, and the color was gray-blue. At the same time, the green-glazed pottery of the Ming Dynasty are more artistic, and the bottle mouth and shape are mainly streamlined, and the proportion is close to the golden ratio. Therefore, the artistic characteristics of green-glazed pottery in the Ming Dynasty and the value of modern painting have the characteristics of the Ming Dynasty, which have a certain influence on modern painting and visual art, and promote the promotion of the value of modern painting and visual art.
This study created a performance evaluation form specifically designed to assess user interfaces in medical apps, with a focus on educational and preventive aspects. Developed in collaboration with a diverse group of ...
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This paper presents a comprehensive analysis of two Chinese science fiction films, The Wandering Earth and Crazy Alien, shedding light on their profound connection to identity and cultural allegory within the context ...
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This paper presents a comprehensive analysis of two Chinese science fiction films, The Wandering Earth and Crazy Alien, shedding light on their profound connection to identity and cultural allegory within the context of the Chinese New Era. We employ the Greimas's actantial model and semantic square to examine the narrative strategies, visual symbols, and cultural representations in these films. The Wandering Earth unfolds a grand narrative anchored in the principles of hard science fiction, the film leverages science and technology as narrative drivers. In contrast, Crazy Alien adopts a more whimsical approach by infusing humor and light science fiction elements into its narrative. From a postmodern standpoint, both films boldly engage with and subvert traditional narratives and cultural depiction shifting the spotlight from an individualistic hero to collective action, employs humor, parody, and absurdity to dismantle established Western science fiction tropes, resisting categorization and fixed binary oppositions while promoting shared aspirations of a community, thus challenging the modernist notion of the solitary hero's agency. However, it is imperative to critically examine the potential limitations of these films, including their alignment with nationalist narratives and their appropriation of Western cultural elements. This study provides valuable insights into the evolving realm of Chinese science fiction film, where the fusion of traditional Chinese elements with global influences fuels thought-provoking discussions within the global cinematic discourse.
The study of bacterial art provides an opportunity to investigate the philosophical framework of object-oriented ontology (OOO). This viewpoint challenges traditional human-centered perspectives by highlighting the au...
The study of bacterial art provides an opportunity to investigate the philosophical framework of object-oriented ontology (OOO). This viewpoint challenges traditional human-centered perspectives by highlighting the autonomy and agency of all objects, including microorganisms. Objects have their own inherent properties and are regarded as equal actors in the world. The authors highlight the dynamic relationship between humans and microorganisms and the agency of bacteria in bioart. Bacterial art raises concerns regarding control, authorship, aesthetics, and ethics, necessitating interdisciplinary discussions and critical evaluations. This study provides an intriguing case examining the implications of OOO at the intersection of science and art.
Revolution stamps are stamp collections published in 1946 that commemorate the first anniversary of Indonesia's independence. Before the revolution stamps, the circulation of stamps in Indonesia was owned by the D...
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Revolution stamps are stamp collections published in 1946 that commemorate the first anniversary of Indonesia's independence. Before the revolution stamps, the circulation of stamps in Indonesia was owned by the Dutch and Japanese. This revolution series was chosen for this research topic, especially for 'Banteng' stamps. This study was conducted to find the meanings of the stamps of a revolution series. The method used was qualitative with an iconographic and iconological approach. The results of the study revealed that the primary meaning of the stamps is the real meaning of breaking the chain containing the expression of force. The secondary purpose is the expression of power, embodied symbolically in themes and concepts. Finally, the intrinsic meaning of this stamp is the life of the Indonesian people during the revolution, which was filled with conflicts of struggle. Thus, the use of themes and concepts of the expressions of strength is presented symbolically to motivate the people to defend Indonesia's independence.
This case study examines a workshop utilizing visual art-based methodologies to support second-year medical students in their transition into clerkship. Through a series of three activities, art educators and medical ...
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This case study examines a workshop utilizing visual art-based methodologies to support second-year medical students in their transition into clerkship. Through a series of three activities, art educators and medical faculty collaborated to facilitate student reflection on this pivotal academic transition. The workshop created a reflective space that enabled students to articulate their emotions, recognize shared challenges, and develop a sense of community and belonging. Additionally, the workshop provided insights into the importance of teamwork, the value of diverse perspectives, and the value of the visualarts. This interdisciplinary approach highlights the potential of integrating art-based education within medical training to address transitional challenges and enhance student experiences. The impact on students and the lessons learned through this implementation are discussed in detail.
This article examines the evolution of Chinese folk artist Tian Yali, whose paper-cutting artworks reflect broader cultural and artistic transformations in contemporary China. Since the 1980s, stimulated by the attent...
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This article examines the evolution of Chinese folk artist Tian Yali, whose paper-cutting artworks reflect broader cultural and artistic transformations in contemporary China. Since the 1980s, stimulated by the attention paid to folk art by art intellectuals, the legitimacy of paper-cutting, once associated with rural superstitions and feudal norms, has steadily increased and it is now recognised as a legitimated art form. Through a detailed case study of Tian Yali's artistic journey, from a rural practitioner to a celebrated contemporary folk artist, it examines how the visual narration within her artworks serve as a medium for identity construction. We analysed her visual narration and integrating insights from in-depth interviews, this article addresses the research question: how do Tian Yali integrate local folk stories into her artworks to construct the identity as folk artist and contribute to the evolution of folk art in contemporary China? We argue that the visual narration within paper-cutting artworks function as a mechanism for constructing the identity of folk artists, where creativity serving as a significant means of reorienting this identity.
The Betawi dialects, Betawi Tengahan and Betawi Pinggiran, are crucial to the identity of the Betawi people in Indonesia. Betawi Tengahan, prevalent in central Jakarta, has a vocabulary similar to standard Indonesian,...
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The Betawi dialects, Betawi Tengahan and Betawi Pinggiran, are crucial to the identity of the Betawi people in Indonesia. Betawi Tengahan, prevalent in central Jakarta, has a vocabulary similar to standard Indonesian, while Betawi Pinggiran, spoken in the outskirts like Depok and Bekasi, retains influences from Sundanese and Javanese. Both dialects are in decline, particularly among younger generations who increasingly favor Indonesian (Bahasa Indonesia), underscoring the need for preservation efforts. The purpose of this research is to explore the current situation of the Betawi dialects and how the dialects have shifted from several factors, like power dynamics and socio-politics. This qualitative study aimed to examine the representation and usage of these dialects in traditional ceremonies, such as Palang Pintu and Rebut Dandang, and daily interactions to document their current relevance, examine how Betawi community members negotiate their cultural identities in an urbanized context, and analyze the power dynamics driving the shift towards Indonesian. The study analyzes two YouTube videos on the Palang Pintu and Rebut Dandang traditions and interviews with two Betawi families to understand Betawi dialects and cultural practices among urban youth. Data were analyzed using content analysis, and interviwees were chosen for their long-term residency in a Betawi-dominated region, ensuring deep familiarity with the dialect. Using Stuart Hall's Cultural Studies Theory, with a focus on representation, this research explores the cultural dynamics, identity negotiation, and power relations influencing this language shift. The findings highlight the urgent need for targeted language preservation efforts to sustain the Betawi dialects and their association cultural heritage in an increasingly urbanized and globalized context.
This interdisciplinary paper explores seeing and being seen as mediated by screen psychotherapy. Although the connection between psyche and technology in psychoanalytic psychotherapy is not new, it was further brought...
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This interdisciplinary paper explores seeing and being seen as mediated by screen psychotherapy. Although the connection between psyche and technology in psychoanalytic psychotherapy is not new, it was further brought to light during the Covid-19 pandemic and the transition from physical encounters to Zoom and other online platforms. The paper focuses on how the mirror function is embedded in the actual communicative medium of Zoom virtual psychotherapy. It ventures into media and cinema studies to examine how the screen embodies a sense of being in the world. This technological tool, initially seeming so foreign to psychoanalytic thought, can offer a projective and transferential space, crucial to the interpersonal relational dialogue in which we see one another as subjects. Finally, we present a short clinical illustration to integrate the interdisciplinary dialogue. In this illustration we focus on the unique quality of Zoom psychotherapy, by which the ability to dismantle the components of the image (using only sound without video), represents the transference, a psychic retreat into darkness. This calls for a digital tele-reverie to reclaim the patient into an image dialectic relationship. This dyadic interaction via screen virtuality creates a space to explore "who is seeing" as well as experiences of "seeing and being seen."
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